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Persuasion

Persuasion

Drama · Romance · 1995

In early 19th-century England, dire financial straits reacquaint the aristocratic Anne Elliot with her wealthy ex-fiance Frederick Wentworth. The two must choose between either putting the past behind them or listening to their hearts.

Movie details

Persuasion

“A love lost, but never forgotten”

1995 Drama · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In early 19th-century England, dire financial straits reacquaint the aristocratic Anne Elliot with her wealthy ex-fiance Frederick Wentworth. The two must choose between either putting the past behind them or listening to their hearts.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Persuasion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Pride & Prejudice

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Where it lives

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Names above the title

The people responsible.

Directed by

Roger Michell

Written by

Nick Dear

Amanda Root

Amanda Root

Anne Elliott

Ciarán Hinds

Ciarán Hinds

Captain Frederick Wentworth

Susan Fleetwood

Susan Fleetwood

Lady Russell

Corin Redgrave

Corin Redgrave

Sir Walter Elliot

Fiona Shaw

Fiona Shaw

Mrs. Croft

John Woodvine

John Woodvine

Admiral Croft

Phoebe Nicholls

Phoebe Nicholls

Elizabeth Elliot

Court is in session

Put Persuasion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.