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17 Again

17 Again

Comedy · Fantasy · 2009

On the brink of a midlife crisis, 30-something Mike O'Donnell wishes he could have a "do-over." And that's exactly what he gets when he wakes up one morning to find he's 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he'd never made. But maybe they weren't so bad after all.

Movie details

17 Again

“Who says you're only young once?”

2009 Comedy · Fantasy 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

On the brink of a midlife crisis, 30-something Mike O'Donnell wishes he could have a "do-over." And that's exactly what he gets when he wakes up one morning to find he's 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he'd never made. But maybe they weren't so bad after all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 17 Again?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Burr Steers

Written by

Jason Filardi

Zac Efron

Zac Efron

Mike O'Donnell

Leslie Mann

Leslie Mann

Scarlett O'Donnell

Thomas Lennon

Thomas Lennon

Ned Gold

Michelle Trachtenberg

Michelle Trachtenberg

Maggie O'Donnell

Sterling Knight

Sterling Knight

Alex O'Donnell

Matthew Perry

Matthew Perry

Mike O'Donnell (Adult)

Tyler Steelman

Tyler Steelman

Ned Gold (Teen)

Court is in session

Put 17 Again on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.