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Escaflowne: The Movie

Escaflowne: The Movie

Animation · Adventure · Drama · 2000

Gaea is a mythical realm ruled by sword and sorcery and immersed in blood and violence. Thrust into a conflict she doesn't quite understand, Hitomi Kanzaki helps aid the young Prince Van as they embark upon a journey to fight the Black Dragon Clan. The battle over a legendary suit of dragon armor, Escaflowne, has begun.

Movie details

Escaflowne: The Movie

“One will wake it. One will destroy it.”

2000 Animation · Adventure · Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Gaea is a mythical realm ruled by sword and sorcery and immersed in blood and violence. Thrust into a conflict she doesn't quite understand, Hitomi Kanzaki helps aid the young Prince Van as they embark upon a journey to fight the Black Dragon Clan. The battle over a legendary suit of dragon armor, Escaflowne, has begun.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Escaflowne: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Kazuki Akane

Written by

Kazuki Akane · Ryota Yamaguchi

Maaya Sakamoto

Maaya Sakamoto

Hitomi Kanzaki (voice)

Tomokazu Seki

Tomokazu Seki

Van (voice)

Mayumi Izuka

Mayumi Izuka

Yukari / Sora (voice)

Minami Takayama

Minami Takayama

Dilandau (voice)

Koji Tsujitani

Koji Tsujitani

Jajuka (voice)

Shin-ichiro Miki

Shin-ichiro Miki

Allen (voice)

Ikue Otani

Ikue Otani

Merle (voice)

Court is in session

Put Escaflowne: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.