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The Tracey Fragments

The Tracey Fragments

Drama · 2007

Tracey Berkowitz, 15, a self-described normal girl, loses her 9-year old brother, Sonny. In flashbacks and fragments, we meet her overbearing parents and the sweet, clueless Sonny. We watch Tracey navigate high school, friendless, picked on and teased. She develops a thing for Billy Zero, a new student, imagining he's her boyfriend. We see the day she loses Sonny and we watch her try to find him.

Movie details

The Tracey Fragments

“Something's Missing...”

2007 Drama 1h 17m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Tracey Berkowitz, 15, a self-described normal girl, loses her 9-year old brother, Sonny. In flashbacks and fragments, we meet her overbearing parents and the sweet, clueless Sonny. We watch Tracey navigate high school, friendless, picked on and teased. She develops a thing for Billy Zero, a new student, imagining he's her boyfriend. We see the day she loses Sonny and we watch her try to find him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Tracey Fragments?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bruce McDonald

Written by

Maureen Medved

Elliot Page

Elliot Page

Tracey Berkowitz

Maxwell McCabe-Lokos

Maxwell McCabe-Lokos

Lance

Ari Cohen

Ari Cohen

Mr. Berkowitz

E

Erin McMurtry

Mrs. Berkowitz

Z

Zie Souwand

Sonny Berkowitz

Stephen Amell

Stephen Amell

Detective

Kate Todd

Kate Todd

That Knockout Bitch Debbie Dodge

Court is in session

Put The Tracey Fragments on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.