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The Sunshine Boys

The Sunshine Boys

Comedy · 1975

Lewis and Clark, aka The Sunshine Boys, were famous comedians during the vaudeville era, but off-stage they couldn't stand each other and haven't spoken in over 20 years of retirement. Willy Clark's nephew is the producer of a TV variety show that wants to feature a reunion of this classic duo. It is up to him to try to get the Sunshine Boys back together again.

Movie details

The Sunshine Boys

“For the price of a movie, you'll feel like a million.”

1975 Comedy 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Lewis and Clark, aka The Sunshine Boys, were famous comedians during the vaudeville era, but off-stage they couldn't stand each other and haven't spoken in over 20 years of retirement. Willy Clark's nephew is the producer of a TV variety show that wants to feature a reunion of this classic duo. It is up to him to try to get the Sunshine Boys back together again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sunshine Boys?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Herbert Ross

Written by

Neil Simon

Walter Matthau

Walter Matthau

Willy Clark

George Burns

George Burns

Al Lewis

Richard Benjamin

Richard Benjamin

Ben Clark

Lee Meredith

Lee Meredith

Nurse in Sketch (Miss McIntosh)

Carol Arthur

Carol Arthur

Mrs. Doris Green, Al's Daughter

Rosetta LeNoire

Rosetta LeNoire

Odessa, Willy's Nurse

F. Murray Abraham

F. Murray Abraham

Mechanic

Court is in session

Put The Sunshine Boys on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.