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The Vanishing

The Vanishing

Thriller · Drama · Mystery · 1993

The boyfriend of an abducted woman never gives up the search as the abductor looks on.

Movie details

The Vanishing

“Obsession is the ultimate weapon.”

1993 Thriller · Drama · Mystery 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The boyfriend of an abducted woman never gives up the search as the abductor looks on.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Vanishing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

The Return

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The Last House on the Left

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In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.

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The Good Neighbor

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Where it lives

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Names above the title

The people responsible.

Directed by

George Sluizer

Written by

Todd Graff

Kiefer Sutherland

Kiefer Sutherland

Jeff Harriman

Jeff Bridges

Jeff Bridges

Barney Cousins

Nancy Travis

Nancy Travis

Rita Baker

Sandra Bullock

Sandra Bullock

Diane Shaver

Park Overall

Park Overall

Lynn

Lisa Eichhorn

Lisa Eichhorn

Helene Cousins

George Hearn

George Hearn

Arthur Bernard

Court is in session

Put The Vanishing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.