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Yankee Zulu

Yankee Zulu

Comedy · 1993

Two South African boys, one white, Rhino, and one black, Zulu, go their separate ways after an incident. Many years later, they meet up again as adults, when one, after living for years in the United States, is now a wanted criminal. The two end up being a part of a madcap chase involving a check for a large amount of lottery money, pursued by Gen. Diehard and Rhino's ex-wife Rowena, who was the cause of the rift between the two protagonists.

Movie details

Yankee Zulu

“If the gods were crazy... now they're berserk.”

1993 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Two South African boys, one white, Rhino, and one black, Zulu, go their separate ways after an incident. Many years later, they meet up again as adults, when one, after living for years in the United States, is now a wanted criminal. The two end up being a part of a madcap chase involving a check for a large amount of lottery money, pursued by Gen. Diehard and Rhino's ex-wife Rowena, who was the cause of the rift between the two protagonists.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Yankee Zulu?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gray Hofmeyr

Written by

Leon Schuster · Craig Gardner · Gray Hofmeyr

Leon Schuster

Leon Schuster

Rhino Labuschagne

John Matshikiza

John Matshikiza

Zulu Mashabela

Wilson Dunster

Wilson Dunster

Captain Diehard

Terri Treas

Terri Treas

Rowena Labuschagne

M

Michelle Bowes

Tienkie Labuschagne

S

Skye Svorinic

Prince William

R

Ruan Mandelstam

Young Rhino

Court is in session

Put Yankee Zulu on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.