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The Boys from Brazil

The Boys from Brazil

Drama · Mystery · Science Fiction · 1978

Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot, masterminded by Dr. Josef Mengele, to rekindle the Third Reich.

Movie details

The Boys from Brazil

“If they survive… will we?”

1978 Drama · Mystery · Science Fiction 2h 5m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

32.2K votes

Rotten Tomatoes

72 %

Tomatometer

Metacritic

40 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot, masterminded by Dr. Josef Mengele, to rekindle the Third Reich.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Boys from Brazil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Franklin J. Schaffner

Written by

Heywood Gould

Gregory Peck

Gregory Peck

Dr. Josef Mengele

Laurence Olivier

Laurence Olivier

Ezra Lieberman

James Mason

James Mason

Eduard Seibert

Lilli Palmer

Lilli Palmer

Esther Lieberman

Uta Hagen

Uta Hagen

Frieda Maloney

Steve Guttenberg

Steve Guttenberg

Barry Kohler

Denholm Elliott

Denholm Elliott

Sidney Beynon

Court is in session

Put The Boys from Brazil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.