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The Girl in the Park

The Girl in the Park

Drama · 2007

A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.

Movie details

The Girl in the Park

“A mother's love never dies.”

2007 Drama 1h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

4.4K votes

Rotten Tomatoes

71 %

Tomatometer

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Girl in the Park?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

David Auburn

Written by

David Auburn

Sigourney Weaver

Sigourney Weaver

Julia Sandburg

Kate Bosworth

Kate Bosworth

Louise

Alessandro Nivola

Alessandro Nivola

Chris

Keri Russell

Keri Russell

Celeste

David Rasche

David Rasche

Doug

Elias Koteas

Elias Koteas

Raymond

Felipe Bonilla

Felipe Bonilla

Bartender

Court is in session

Put The Girl in the Park on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.