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Not Quite Hollywood

Not Quite Hollywood

Comedy · Documentary · 2008

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Movie details

Not Quite Hollywood

“The wild, untold story of OZploitation!”

2008 Comedy · Documentary 1h 43m

Critical arithmetic

The consensus, allegedly.

IMDb

7.6 / 10

4.8K votes

Rotten Tomatoes

95 %

Tomatometer

Metacritic

76 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Not Quite Hollywood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Hartley

Written by

Mark Hartley

Phillip Adams

Phillip Adams

Self

Glory Annen

Glory Annen

Self

Christine Amor

Christine Amor

Self

V

Victoria Anoux

Self

Briony Behets

Briony Behets

Self

Steve Bisley

Steve Bisley

Self

Jamie Blanks

Jamie Blanks

Self

Court is in session

Put Not Quite Hollywood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.