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Apocalypto

Apocalypto

Action · Drama · History · 2006

Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.

Movie details

Apocalypto

“No one can outrun their destiny.”

2006 Action · Drama · History 2h 18m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Apocalypto?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mel Gibson

Written by

Mel Gibson · Farhad Safinia

Rudy Youngblood

Rudy Youngblood

Jaguar Paw

Raoul Max Trujillo

Raoul Max Trujillo

Zero Wolf

Gerardo Taracena

Gerardo Taracena

Middle Eye

Iazua Larios

Iazua Larios

Sky Flower

Antonio Monroy

Antonio Monroy

Chilam

María Isabel Díaz Lago

María Isabel Díaz Lago

Mother in Law

Dalia Hernández

Dalia Hernández

Seven

Court is in session

Put Apocalypto on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.