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Louder Than Bombs

Louder Than Bombs

Drama · 2015

Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene's older son, Jonah, to return to the house he grew up in - and for the first time in a very long time, the father and the two brothers are living under the same roof.

Movie details

Louder Than Bombs

“Break the silence.”

2015 Drama 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene's older son, Jonah, to return to the house he grew up in - and for the first time in a very long time, the father and the two brothers are living under the same roof.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Louder Than Bombs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joachim Trier

Written by

Joachim Trier · Eskil Vogt

Gabriel Byrne

Gabriel Byrne

Gene Reed

Isabelle Huppert

Isabelle Huppert

Isabelle Reed

Jesse Eisenberg

Jesse Eisenberg

Jonah Reed

Devin Druid

Devin Druid

Conrad Reed

Amy Ryan

Amy Ryan

Hannah Brennan

Ruby Jerins

Ruby Jerins

Melanie

Megan Ketch

Megan Ketch

Amy Reed

Court is in session

Put Louder Than Bombs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.