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Annie

Annie

Comedy · Drama · Family · 1982

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver "Daddy" Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks' mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

Movie details

Annie

“The movie of 'Tomorrow.'”

1982 Comedy · Drama · Family 2h 7m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver "Daddy" Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks' mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Annie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Huston

Written by

Carol Sobieski · Thomas Meehan

Aileen Quinn

Aileen Quinn

Annie

Albert Finney

Albert Finney

'Daddy' Oliver Warbucks

Carol Burnett

Carol Burnett

Miss Hannigan

Ann Reinking

Ann Reinking

Grace Farrell

Tim Curry

Tim Curry

Rooster Hannigan

Bernadette Peters

Bernadette Peters

Lily St. Regis

Geoffrey Holder

Geoffrey Holder

Punjab

Court is in session

Put Annie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.