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Crossing Over

Crossing Over

Crime · Drama · 2009

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

Movie details

Crossing Over

“Every day thousands of people illegally cross our borders... only one thing stands in their way. America.”

2009 Crime · Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crossing Over?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Wayne Kramer

Written by

Wayne Kramer

Harrison Ford

Harrison Ford

Max Brogan

Ray Liotta

Ray Liotta

Cole Frankel

Alice Eve

Alice Eve

Claire Shepard

Ashley Judd

Ashley Judd

Denise Frankel

Jim Sturgess

Jim Sturgess

Gavin Kossef

Cliff Curtis

Cliff Curtis

Hamid Baraheri

Alice Braga

Alice Braga

Mireya Sanchez

Court is in session

Put Crossing Over on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.