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Funeral Parade of Roses

Funeral Parade of Roses

Drama · 1969

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

Movie details

Funeral Parade of Roses

“Who's the fairest of them all?”

1969 Drama 1h 45m

Critical arithmetic

The consensus, allegedly.

IMDb

7.7 / 10

7.6K votes

Rotten Tomatoes

100 %

Tomatometer

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Funeral Parade of Roses?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

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Nymphomaniac: Vol. II

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Where it lives

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Names above the title

The people responsible.

Directed by

Toshio Matsumoto

Written by

Toshio Matsumoto

Shinnosuke Ikehata

Shinnosuke Ikehata

Eddie

Yoshio Tsuchiya

Yoshio Tsuchiya

Gonda

Emiko Azuma

Emiko Azuma

Eddie's Mother

Toshiya Fujita

Toshiya Fujita

Cast

K

Kiyoshi Awazu

Cast

Osamu Ogasawara

Osamu Ogasawara

Leda

Y

Yoshimi Jô

Jimi

Court is in session

Put Funeral Parade of Roses on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.