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Pieces of April

Pieces of April

Comedy · Drama · 2003

Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April -- an inexperienced cook -- runs into kitchen trouble and must ask a neighbor for help.

Movie details

Pieces of April

“She's the one in every family.”

2003 Comedy · Drama 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April -- an inexperienced cook -- runs into kitchen trouble and must ask a neighbor for help.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pieces of April?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Peter Hedges

Written by

Peter Hedges

Katie Holmes

Katie Holmes

April Burns

Derek Luke

Derek Luke

Bobby

Patricia Clarkson

Patricia Clarkson

Joy Burns

Oliver Platt

Oliver Platt

Jim Burns

Alison Pill

Alison Pill

Beth Burns

John Gallagher Jr.

John Gallagher Jr.

Timmy Burns

Alice Drummond

Alice Drummond

Grandma Dottie

Court is in session

Put Pieces of April on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.