“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The Wrong Guy
Comedy · Thriller · 1997
Nelson Hibbert expects to become the new president of Nagel Industries, but Mr. Nagel gives the promotion to another employee. When Nelson barges into Nagel's office to confront him, he finds Nagel's been murdered. Fearing that he will be implicated, Nelson decides to run from the law...despite the fact that the police already know the killer's identity.
The Wrong Guy
“A fugitive in his own mind.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
Nelson Hibbert expects to become the new president of Nagel Industries, but Mr. Nagel gives the promotion to another employee. When Nelson barges into Nagel's office to confront him, he finds Nagel's been murdered. Fearing that he will be implicated, Nelson decides to run from the law...despite the fact that the police already know the killer's identity.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Wrong Guy?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Auteur Devotee
“You watch the director, not the movie.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
David Steinberg
Written by
David Anthony Higgins · Jay Kogen · Dave Foley
Put The Wrong Guy on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.






