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The Jazz Singer

The Jazz Singer

Drama · Music · Romance · 1980

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.

Movie details

The Jazz Singer

“His story will make you cry. His music will make you sing. His triumph will make you cheer.”

1980 Drama · Music · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Jazz Singer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Jazz Singer

The Jazz Singer

Drama · 1927

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

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Names above the title

The people responsible.

Directed by

Richard Fleischer

Written by

Herbert Baker

Neil Diamond

Neil Diamond

Jess Robin / Yussel Rabinovitch

Laurence Olivier

Laurence Olivier

Cantor Rabinovitch

Lucie Arnaz

Lucie Arnaz

Molly Bell

Catlin Adams

Catlin Adams

Rivka Rabinovitch

Franklyn Ajaye

Franklyn Ajaye

Bubba

Paul Nicholas

Paul Nicholas

Keith Lennox

Sully Boyar

Sully Boyar

Eddie Gibbs

Court is in session

Put The Jazz Singer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.