“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

Babylon 5: The Lost Tales - Voices in the Dark
Action · Adventure · Science Fiction · 2007
This instalment of Babylon 5 is in two parts: the first is about an entity that has possessed a worker. Colonel Lochley prevents a priest from performing an exorcism. The host is returned to Earth. The second has Galen trying to dupe President Sheridan into assassinating the future Centauri emperor to stop him from attacking Earth in around 30 years time.
Babylon 5: The Lost Tales - Voices in the Dark
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
This instalment of Babylon 5 is in two parts: the first is about an entity that has possessed a worker. Colonel Lochley prevents a priest from performing an exorcism. The host is returned to Earth. The second has Galen trying to dupe President Sheridan into assassinating the future Centauri emperor to stop him from attacking Earth in around 30 years time.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Babylon 5: The Lost Tales - Voices in the Dark?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Auteur Devotee
“You watch the director, not the movie.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
J. Michael Straczynski · Sara Barnes
Written by
J. Michael Straczynski
Put Babylon 5: The Lost Tales - Voices in the Dark on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.





