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The Monuments Men

The Monuments Men

War · Drama · History · 2014

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out-of-shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world’s artistic masterpieces from Nazi thieves and return them to their rightful owners. With the art hidden behind enemy lines, how could these guys hope to succeed?

Movie details

The Monuments Men

“It was the greatest art heist in history”

2014 War · Drama · History 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out-of-shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world’s artistic masterpieces from Nazi thieves and return them to their rightful owners. With the art hidden behind enemy lines, how could these guys hope to succeed?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Monuments Men?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

George Clooney

Written by

Grant Heslov · George Clooney

George Clooney

George Clooney

Lt. Frank Stokes

Matt Damon

Matt Damon

Lt. James Granger

Bill Murray

Bill Murray

Sgt. Richard Campbell

John Goodman

John Goodman

Sgt. Walter Garfield

Cate Blanchett

Cate Blanchett

Claire Simone

Hugh Bonneville

Hugh Bonneville

2nd Lt. Donald Jeffries

Sam Hazeldine

Sam Hazeldine

Colonel Langton

Court is in session

Put The Monuments Men on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.