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Only Lovers Left Alive

Only Lovers Left Alive

Drama · Romance · Fantasy · 2013

A depressed musician reunites with his lover. However, their romance, already played over several centuries, is disrupted by the arrival of her uncontrollable younger sister.

Movie details

Only Lovers Left Alive

2013 Drama · Romance · Fantasy 2h 3m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A depressed musician reunites with his lover. However, their romance, already played over several centuries, is disrupted by the arrival of her uncontrollable younger sister.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Only Lovers Left Alive?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jim Jarmusch

Written by

Jim Jarmusch

Tilda Swinton

Tilda Swinton

Eve

Tom Hiddleston

Tom Hiddleston

Adam

Anton Yelchin

Anton Yelchin

Ian

Mia Wasikowska

Mia Wasikowska

Ava

Jeffrey Wright

Jeffrey Wright

Dr. Watson

Slimane Dazi

Slimane Dazi

Bilal

John Hurt

John Hurt

Christopher Marlowe

Court is in session

Put Only Lovers Left Alive on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.