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Pierrepoint: The Last Hangman

Pierrepoint: The Last Hangman

Drama · History · 2005

Following in his father's footsteps, Albert Pierrepoint becomes one of Britain's most prolific executioners, hiding his identity as a grocery deliveryman. But when his ambition to be the best inadvertently exposes his gruesome secret, he becomes a minor celebrity & faces a public outcry against the practice of hanging. Based on true events.

Movie details

Pierrepoint: The Last Hangman

“1940's England. When the world needed a hero, he gave them what they wanted. But history can be cruel.”

2005 Drama · History 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Following in his father's footsteps, Albert Pierrepoint becomes one of Britain's most prolific executioners, hiding his identity as a grocery deliveryman. But when his ambition to be the best inadvertently exposes his gruesome secret, he becomes a minor celebrity & faces a public outcry against the practice of hanging. Based on true events.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pierrepoint: The Last Hangman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Adrian Shergold

Written by

Jeff Pope · Bob Mills

Timothy Spall

Timothy Spall

Albert Pierrepoint

Juliet Stevenson

Juliet Stevenson

Annie Pierrepoint

Mary Stockley

Mary Stockley

Ruth Ellis

Lizzie Hopley

Lizzie Hopley

Dorothea Waddingham

Joyia Fitch

Joyia Fitch

Elizabeth Volkenrath

Sheyla Shehovich

Sheyla Shehovich

Irma Grese

Simon Armstrong

Simon Armstrong

Minister

Court is in session

Put Pierrepoint: The Last Hangman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.