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Inside Out

Inside Out

Animation · Family · Adventure · 2015

When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.

Movie details

Inside Out

“Meet the little voices inside your head.”

2015 Animation · Family · Adventure 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

When 11-year-old Riley moves to a new city, her Emotions team up to help her through the transition. Joy, Fear, Anger, Disgust and Sadness work together, but when Joy and Sadness get lost, they must journey through unfamiliar places to get back home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inside Out?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Teenager Riley's mind headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone.

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Where it lives

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Names above the title

The people responsible.

Directed by

Pete Docter

Written by

Meg LeFauve · Josh Cooley · Pete Docter

Amy Poehler

Amy Poehler

Joy (voice)

Phyllis Smith

Phyllis Smith

Sadness (voice)

Richard Kind

Richard Kind

Bing Bong (voice)

Bill Hader

Bill Hader

Fear (voice)

Lewis Black

Lewis Black

Anger (voice)

Mindy Kaling

Mindy Kaling

Disgust (voice)

Kaitlyn Dias

Kaitlyn Dias

Riley (voice)

Court is in session

Put Inside Out on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.