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Eden Is West

Eden Is West

Drama · 2009

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.

Movie details

Eden Is West

2009 Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Eden Is West?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Costa-Gavras

Written by

Costa-Gavras · Jean-Claude Grumberg

Riccardo Scamarcio

Riccardo Scamarcio

Elias

Éric Caravaca

Éric Caravaca

Jack

Juliane Köhler

Juliane Köhler

Christina

Odysseas Papaspiliopoulos

Odysseas Papaspiliopoulos

L'ami d'Elias

Ulrich Tukur

Ulrich Tukur

Nick Nickelby

Anny Duperey

Anny Duperey

Dame à la veste

Léa Wiazemsky

Léa Wiazemsky

Nina

Court is in session

Put Eden Is West on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.