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The Flying Scotsman

The Flying Scotsman

Drama · 2006

Based on the incredible true story of amateur cyclist Graeme Obree, who breaks the world one-hour record on a bike he made out of washing machine parts.

Movie details

The Flying Scotsman

“The true story of the unlikely champion that inspired a nation.”

2006 Drama 1h 36m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

5.8K votes

Rotten Tomatoes

51 %

Tomatometer

Metacritic

49 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Based on the incredible true story of amateur cyclist Graeme Obree, who breaks the world one-hour record on a bike he made out of washing machine parts.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Flying Scotsman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Douglas Mackinnon

Written by

John Brown · Simon Rose · Declan Hughes

Jonny Lee Miller

Jonny Lee Miller

Graeme Obree

S

Sean Brown

Young Graeme Obree

J

Joseph Carney

Child Gang Leader

Billy Boyd

Billy Boyd

Malky

Laura Fraser

Laura Fraser

Anne Obree

Brian Cox

Brian Cox

Douglas Baxter

Ron Donachie

Ron Donachie

Scobie

Court is in session

Put The Flying Scotsman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.