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The Illusionist

The Illusionist

Fantasy · Drama · Thriller · 2006

With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.

Movie details

The Illusionist

“Nothing is what it seems”

2006 Fantasy · Drama · Thriller 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Illusionist?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Neil Burger

Written by

Neil Burger

Edward Norton

Edward Norton

Eisenheim

Paul Giamatti

Paul Giamatti

Inspector Uhl

Jessica Biel

Jessica Biel

Sophie

Rufus Sewell

Rufus Sewell

Crown Prince Leopold

Eddie Marsan

Eddie Marsan

Josef Fischer

Aaron Taylor-Johnson

Aaron Taylor-Johnson

Young Eisenheim

Eleanor Tomlinson

Eleanor Tomlinson

Young Sophie

Court is in session

Put The Illusionist on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.