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Colossus: The Forbin Project

Colossus: The Forbin Project

Science Fiction · Thriller · 1970

The U.S. has handed over control of its nuclear defense system to the Colossus supercomputer designed by scientist Dr. Charles Forbin. It soon becomes clear, that the now-sentient Colossus is far more intelligent than its creator realized—with the fate of the world hanging in the balance.

Movie details

Colossus: The Forbin Project

“This is the dawning of the Age of Colossus (where peace is compulsory... freedom is forbidden... and Man's greatest invention could be Man's greatest mistake).”

1970 Science Fiction · Thriller 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

The U.S. has handed over control of its nuclear defense system to the Colossus supercomputer designed by scientist Dr. Charles Forbin. It soon becomes clear, that the now-sentient Colossus is far more intelligent than its creator realized—with the fate of the world hanging in the balance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Colossus: The Forbin Project?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joseph Sargent

Written by

James Bridges

Eric Braeden

Eric Braeden

Dr Charles Forbin

Susan Clark

Susan Clark

Dr. Cleo Markham

Gordon Pinsent

Gordon Pinsent

The President

William Schallert

William Schallert

CIA Director Grauber

Georg Stanford Brown

Georg Stanford Brown

Dr. John F. Fisher

Willard Sage

Willard Sage

Dr. Blake

Alex Rodine

Alex Rodine

Dr. Kuprin

Court is in session

Put Colossus: The Forbin Project on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.