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The Killers

The Killers

Crime · Mystery · Thriller · 1946

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

Movie details

The Killers

“She's a match for any mobster!”

1946 Crime · Mystery · Thriller 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Killers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Robert Siodmak

Written by

Anthony Veiller · John Huston · Richard Brooks

Edmond O'Brien

Edmond O'Brien

Jim Reardon

Burt Lancaster

Burt Lancaster

'Swede' Andersen

Ava Gardner

Ava Gardner

Kitty Collins

Albert Dekker

Albert Dekker

Big Jim Colfax

Sam Levene

Sam Levene

Lt. Sam Lubinsky

Vince Barnett

Vince Barnett

Charleston

Virginia Christine

Virginia Christine

Lilly Harmon Lubinsky

Court is in session

Put The Killers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.