The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Gia
Romance · Drama · 1998
Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
Movie details
Gia
“Too beautiful to die. Too wild to live.”
1998 Romance · Drama 2h 0m
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.9 / 10
52.6K votes
Rotten Tomatoes
88 %
Tomatometer
TMDB
7.1 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Gia?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Michael Cristofer
Written by
Jay McInerney · Michael Cristofer
Angelina Jolie
Gia
Elizabeth Mitchell
Linda
Eric Michael Cole
T.J.
Kylie Travis
Stephanie
Louis Giambalvo
Joe Carangi
John Considine
Bruce Cooper
Scott Cohen
Mike Mansfield
Court is in session
Put Gia on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Adrenaline Seeker
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.