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The Devil's Backbone

The Devil's Backbone

Fantasy · Drama · Horror · 2001

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

Movie details

The Devil's Backbone

“What is a ghost?”

2001 Fantasy · Drama · Horror 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Devil's Backbone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Guillermo del Toro

Written by

Guillermo del Toro · David Muñoz · Antonio Trashorras

Marisa Paredes

Marisa Paredes

Carmen

Eduardo Noriega

Eduardo Noriega

Jacinto

Federico Luppi

Federico Luppi

Dr. Casares

Fernando Tielve

Fernando Tielve

Carlos

Íñigo Garcés

Íñigo Garcés

Jaime

Irene Visedo

Irene Visedo

Conchita

José Manuel Lorenzo

José Manuel Lorenzo

Marcelo

Court is in session

Put The Devil's Backbone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.