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Barefoot Gen 2

Barefoot Gen 2

Animation · Drama · War · 1986

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

Movie details

Barefoot Gen 2

1986 Animation · Drama · War 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Barefoot Gen 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Barefoot Gen

Barefoot Gen

Animation · 1983

A story about the effect of the atomic bombing of Hiroshima on a boy's life and the lives of the Japanese people.

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Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

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Names above the title

The people responsible.

Directed by

Toshio Hirata

Written by

Hideo Takayashiki

I

Issei Miyazaki

Gen Nakaoka (voice)

K

Kei Nakamura

Masa Tadashi (voice)

M

Masaki Kouda

Ryuuta (voice)

K

Kimi Aoyama

Katsuko (voice)

Koichi Kitamura

Koichi Kitamura

Giyo Katsushiro/Matsukichi Hirayama (voice)

M

Masato Yamamoto

Donguri (voice)

M

Masumi Satou

Katsuji Musubi (voice)

Court is in session

Put Barefoot Gen 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.