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Dead or Alive 2: Birds

Dead or Alive 2: Birds

Crime · Drama · Comedy · 2000

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

Movie details

Dead or Alive 2: Birds

2000 Crime · Drama · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead or Alive 2: Birds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Takashi Miike

Written by

Masaru Nakamura

Show Aikawa

Show Aikawa

Mizuki Okamoto

Riki Takeuchi

Riki Takeuchi

Shuuichi Sawada

Noriko Aota

Noriko Aota

Kôhei's wife

Edison Chen

Edison Chen

Boo

Kenichi Endo

Kenichi Endo

Kôhei

Hiroko Isayama

Hiroko Isayama

Woman in black hat

Masato

Masato

Hoo

Court is in session

Put Dead or Alive 2: Birds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.