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The Last Rodeo

The Last Rodeo

Drama · 2025

A retired rodeo legend risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bullriding competition as the oldest contestant ever. Along the way, he reconciles old wounds with his estranged daughter and proves that true courage is found in the fight for family.

Movie details

The Last Rodeo

2025 Drama 1h 58m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

3.5K votes

Rotten Tomatoes

69 %

Tomatometer

Metacritic

61 / 100

Metascore

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A retired rodeo legend risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bullriding competition as the oldest contestant ever. Along the way, he reconciles old wounds with his estranged daughter and proves that true courage is found in the fight for family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Rodeo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jon Avnet

Written by

Neal McDonough · Jon Avnet · Derek Presley

Neal McDonough

Neal McDonough

Joe Wainwright

Mykelti Williamson

Mykelti Williamson

Charlie Williamson

Sarah Jones

Sarah Jones

Sally Wainwright

Christopher McDonald

Christopher McDonald

Jimmy Mack

Daylon Swearingen

Daylon Swearingen

Billy Hamilton

Graham Harvey

Graham Harvey

Cody Wainwright

R

Ruve McDonough

Rose Wainwright

Court is in session

Put The Last Rodeo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.