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He Died with a Felafel in His Hand

He Died with a Felafel in His Hand

Comedy · 2001

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.

Movie details

He Died with a Felafel in His Hand

“Some people will do anything to get out of paying the rent...”

2001 Comedy 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over He Died with a Felafel in His Hand?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Lowenstein

Written by

Richard Lowenstein

Noah Taylor

Noah Taylor

Danny

Emily Hamilton

Emily Hamilton

Sam

Romane Bohringer

Romane Bohringer

Anya

Alex Menglet

Alex Menglet

Taylor

Brett Stewart

Brett Stewart

Flip

Damian Walshe-Howling

Damian Walshe-Howling

Milo

Sophie Lee

Sophie Lee

Nina

Court is in session

Put He Died with a Felafel in His Hand on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.