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Uncanny

Uncanny

Science Fiction · Thriller · 2015

For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits emergent behavior of anger and jealousy towards her, she finds herself increasingly entangled in a web of deception where no one’s motives are easily decipherable.

Movie details

Uncanny

“Deception by design”

2015 Science Fiction · Thriller 1h 31m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

6.1K votes

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits emergent behavior of anger and jealousy towards her, she finds herself increasingly entangled in a web of deception where no one’s motives are easily decipherable.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Uncanny?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Monsters of Man

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Names above the title

The people responsible.

Directed by

Matthew Leutwyler

Written by

Shahin Chandrasoma

Mark Webber

Mark Webber

David Kressen

Lucy Griffiths

Lucy Griffiths

Joy Andrews

David Clayton Rogers

David Clayton Rogers

Adam Kressen

Rainn Wilson

Rainn Wilson

Castle

Court is in session

Put Uncanny on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Prestige Tourist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.