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Immortal Beloved

Immortal Beloved

Drama · Music · Romance · 1994

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

Movie details

Immortal Beloved

1994 Drama · Music · Romance 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Immortal Beloved?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bernard Rose

Written by

Bernard Rose

Gary Oldman

Gary Oldman

Ludwig van Beethoven

Jeroen Krabbé

Jeroen Krabbé

Anton Felix Schindler

Isabella Rossellini

Isabella Rossellini

Anna Marie Erdödy

Johanna ter Steege

Johanna ter Steege

Johanna Reiss

Marco Hofschneider

Marco Hofschneider

Karl van Beethoven

Miriam Margolyes

Miriam Margolyes

Nanette Streicherová

Barry Humphries

Barry Humphries

Clemens Metternich

Court is in session

Put Immortal Beloved on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.