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Angels with Dirty Faces

Angels with Dirty Faces

Crime · Drama · 1938

Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.

Movie details

Angels with Dirty Faces

“The saga of America’s dirty faced kids... and the breaks that life won’t give them!”

1938 Crime · Drama 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angels with Dirty Faces?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Wrong Man

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In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

The Damned Don't Cry

The Damned Don't Cry

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Dead End

Dead End

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Little Caesar

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A small-time hood shoots his way to the top, but how long can he stay there?

Cry of the City

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Force of Evil

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Names above the title

The people responsible.

Directed by

Michael Curtiz

Written by

Warren Duff · Rowland Brown · John Wexley · Charles MacArthur

James Cagney

James Cagney

Rocky Sullivan

Pat O'Brien

Pat O'Brien

Jerry Connolly

Humphrey Bogart

Humphrey Bogart

James Frazier

Ann Sheridan

Ann Sheridan

Laury Ferguson

George Bancroft

George Bancroft

Mac Keefer

Billy Halop

Billy Halop

Soapy

Bobby Jordan

Bobby Jordan

Swing

Court is in session

Put Angels with Dirty Faces on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.