The defence The Prestige Tourist
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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Eddie Izzard: Dress to Kill
Comedy · 1999
Eddie Izzard takes her show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England and of Western empires, and the need for a European dream.
Movie details
Eddie Izzard: Dress to Kill
1999 Comedy 1h 54m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.8 / 10
Community rating
Eddie Izzard takes her show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England and of Western empires, and the need for a European dream.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Eddie Izzard: Dress to Kill?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Lawrence Jordan
Written by
Suzy Eddie Izzard
Suzy Eddie Izzard
Herself
Court is in session
Put Eddie Izzard: Dress to Kill on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.