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Eight Men Out

Eight Men Out

Drama · History · 1988

Buck Weaver and Hap Felsch are young idealistic players on the Chicago White Sox, a pennant-winning team owned by Charles Comiskey - a penny-pinching, hands-on manager who underpays his players and treats them with disdain. And when gamblers and hustlers discover that Comiskey's demoralized players are ripe for a money-making scheme, one by one the team members agree to throw the World Series. But when the White Sox are defeated, a couple of sports writers smell a fix and a national scandal explodes, ripping the cover off America's favorite pastime.

Movie details

Eight Men Out

“When the cheering stopped, there were... Eight Men Out.”

1988 Drama · History 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Buck Weaver and Hap Felsch are young idealistic players on the Chicago White Sox, a pennant-winning team owned by Charles Comiskey - a penny-pinching, hands-on manager who underpays his players and treats them with disdain. And when gamblers and hustlers discover that Comiskey's demoralized players are ripe for a money-making scheme, one by one the team members agree to throw the World Series. But when the White Sox are defeated, a couple of sports writers smell a fix and a national scandal explodes, ripping the cover off America's favorite pastime.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Eight Men Out?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Sayles

Written by

John Sayles

John Cusack

John Cusack

Buck Weaver

Clifton James

Clifton James

Charles Comiskey

Michael Lerner

Michael Lerner

Arnold Rothstein

Christopher Lloyd

Christopher Lloyd

Bill Burns

John Mahoney

John Mahoney

Kid Gleason

Charlie Sheen

Charlie Sheen

Hap Felsch

David Strathairn

David Strathairn

Eddie Cicotte

Court is in session

Put Eight Men Out on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.