“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

End of the Line
Horror · Thriller · 2007
Karen, a young psychiatric nurse, boards the last subway train of the night only to have it stop in the middle of the tunnel. Suddenly, her nightmare begins: a mysterious cult has decided that it's the end of the world and the only way to save the souls of the living is to kill them in cold blood. As those around her are brutally murdered, Karen and a handful of survivors must face the homicidal cult, supernatural forces, and their own fears of Armageddon in order to survive.
End of the Line
“The End is Coming...”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
Karen, a young psychiatric nurse, boards the last subway train of the night only to have it stop in the middle of the tunnel. Suddenly, her nightmare begins: a mysterious cult has decided that it's the end of the world and the only way to save the souls of the living is to kill them in cold blood. As those around her are brutally murdered, Karen and a handful of survivors must face the homicidal cult, supernatural forces, and their own fears of Armageddon in order to survive.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over End of the Line?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Maurice Devereaux
Written by
Maurice Devereaux
Put End of the Line on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.





