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The Fog of War

The Fog of War

Documentary · 2003

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

Movie details

The Fog of War

2003 Documentary 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fog of War?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Errol Morris

Robert McNamara

Robert McNamara

Self

Errol Morris

Errol Morris

Self (uncredited)

Fidel Castro

Fidel Castro

Self (archive footage) (uncredited)

Barry Goldwater

Barry Goldwater

Self (archive footage) (uncredited)

John F. Kennedy

John F. Kennedy

Self (archive footage) (uncredited)

Nikita Khrushchev

Nikita Khrushchev

Self (archive footage) (uncredited)

C

Curtis LeMay

Self (archive footage) (uncredited)

Court is in session

Put The Fog of War on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.