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Rocky Balboa

Rocky Balboa

Drama · 2006

When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging the Italian Stallion to a 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger and thirty years his junior. Rocky takes on Dixon in what will become the greatest fight in boxing history!

Movie details

Rocky Balboa

“It ain't over 'til it's over.”

2006 Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging the Italian Stallion to a 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger and thirty years his junior. Rocky takes on Dixon in what will become the greatest fight in boxing history!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rocky Balboa?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sylvester Stallone

Written by

Sylvester Stallone

Sylvester Stallone

Sylvester Stallone

Robert 'Rocky' Balboa

Burt Young

Burt Young

Paulie Pennino

Antonio Tarver

Antonio Tarver

Mason 'The Line' Dixon

Geraldine Hughes

Geraldine Hughes

Marie

Milo Ventimiglia

Milo Ventimiglia

Robert 'Rocky' Balboa Jr.

Tony Burton

Tony Burton

Tony 'Duke' Evers

A

A.J. Benza

L.C.

Court is in session

Put Rocky Balboa on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.