“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Going to the Mat
TV Movie · Drama · Family · 2004
Jace Newfield has a problem. Besides being blind and being the new kid at school, his problem is that the kids at his new school thinks he's a jerk. Jace has to find a way to be accepted into his new school. Joining the wrestling team just might work.
Going to the Mat
“There's more to winning than meets the eye.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.6 / 10
1.6K votes
TMDB
6.7 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Jace Newfield has a problem. Besides being blind and being the new kid at school, his problem is that the kids at his new school thinks he's a jerk. Jace has to find a way to be accepted into his new school. Joining the wrestling team just might work.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Going to the Mat?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Stuart Gillard
Written by
Chris Nolan · Stu Krieger · Laurie Nolan · Steve Bloom
Put Going to the Mat on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






