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Macario

Macario

Drama · Fantasy · 1960

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

Movie details

Macario

“Macabre, haunting and wonderful”

1960 Drama · Fantasy 1h 31m

Critical arithmetic

One number, for now.

TMDB

8.7 / 10

Community rating

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Macario?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roberto Gavaldón

Written by

Emilio Carballido · Roberto Gavaldón

Ignacio López Tarso

Ignacio López Tarso

Macario

Pina Pellicer

Pina Pellicer

Esposa de Macario

Enrique Lucero

Enrique Lucero

La muerte

Mario Alberto Rodríguez

Mario Alberto Rodríguez

Don Ramiro

José Gálvez

José Gálvez

El Demonio

Eduardo Fajardo

Eduardo Fajardo

Virrey

Consuelo Frank

Consuelo Frank

Virreina

Court is in session

Put Macario on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.