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The Talented Mr. Ripley

The Talented Mr. Ripley

Thriller · Crime · Drama · 1999

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

Movie details

The Talented Mr. Ripley

“How far would you go to become someone else.”

1999 Thriller · Crime · Drama 2h 20m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Talented Mr. Ripley?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Anthony Minghella

Written by

Anthony Minghella

Matt Damon

Matt Damon

Tom Ripley

Gwyneth Paltrow

Gwyneth Paltrow

Marge Sherwood

Jude Law

Jude Law

Dickie Greenleaf

Cate Blanchett

Cate Blanchett

Meredith Logue

Philip Seymour Hoffman

Philip Seymour Hoffman

Freddie Miles

Jack Davenport

Jack Davenport

Peter Smith-Kingsley

James Rebhorn

James Rebhorn

Herbert Greenleaf

Court is in session

Put The Talented Mr. Ripley on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.