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The 'Burbs

The 'Burbs

Comedy · Horror · Thriller · 1989

When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.

Movie details

The 'Burbs

“He's a man of peace in a savage land... Suburbia.”

1989 Comedy · Horror · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The 'Burbs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Night Watch

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Fear in the Night

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Poker Night

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Names above the title

The people responsible.

Directed by

Joe Dante

Written by

Dana Olsen

Tom Hanks

Tom Hanks

Ray Peterson

Bruce Dern

Bruce Dern

Lt. Mark Rumsfield

Carrie Fisher

Carrie Fisher

Carol Peterson

Rick Ducommun

Rick Ducommun

Art Weingartner

Wendy Schaal

Wendy Schaal

Bonnie Rumsfield

Corey Feldman

Corey Feldman

Ricky Butler

Courtney Gains

Courtney Gains

Hans Klopek

Court is in session

Put The 'Burbs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.