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A Day at the Races

A Day at the Races

Comedy · Music · 1937

Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's sanitarium by winning a big race with a finicky horse owned by Judy's boyfriend Gil. There are a few problems. Hackenbush, who was recently put in charge of the sanitarium, isn't really a doctor, he's a veterinarian.

Movie details

A Day at the Races

“Three Great Laff Stars ! . . . more gags and gals . . . more songs and dances !”

1937 Comedy · Music 1h 49m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Doctor Hugo Hackenbush, Tony, and Stuffy try and save Judy's sanitarium by winning a big race with a finicky horse owned by Judy's boyfriend Gil. There are a few problems. Hackenbush, who was recently put in charge of the sanitarium, isn't really a doctor, he's a veterinarian.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Day at the Races?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Family · 1935

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Names above the title

The people responsible.

Directed by

Sam Wood

Written by

George Seaton · George Oppenheimer · Robert Pirosh

Groucho Marx

Groucho Marx

Dr. Hugo Z. Hackenbush

Chico Marx

Chico Marx

Tony

Harpo Marx

Harpo Marx

Stuffy

Allan Jones

Allan Jones

Gil Stewart

Maureen O'Sullivan

Maureen O'Sullivan

Judy Standish

Margaret Dumont

Margaret Dumont

Emily Upjohn

Sig Ruman

Sig Ruman

Dr. Leopold X. Steinberg

Court is in session

Put A Day at the Races on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.