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The Fly

The Fly

Science Fiction · Horror · Drama · 1958

Industrialist François Delambre is called late at night by his sister-in-law, Helene, who tells him that she has just killed her husband. Reluctant at first, she eventually explains to the police that he invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber.

Movie details

The Fly

“If she looked upon the horror her husband had become...She would scream for the rest of her life!”

1958 Science Fiction · Horror · Drama 1h 34m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Industrialist François Delambre is called late at night by his sister-in-law, Helene, who tells him that she has just killed her husband. Reluctant at first, she eventually explains to the police that he invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fly?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kurt Neumann

Written by

James Clavell

David Hedison

David Hedison

Andre Delambre

Patricia Owens

Patricia Owens

Helene Delambre

Vincent Price

Vincent Price

François Delambre

Herbert Marshall

Herbert Marshall

Insp. Charas

Kathleen Freeman

Kathleen Freeman

Emma

Betty Lou Gerson

Betty Lou Gerson

Nurse Andersone

Charles Herbert

Charles Herbert

Philippe Delambre

Court is in session

Put The Fly on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.