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U.S. Marshals

U.S. Marshals

Thriller · Crime · Action · 1998

U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.

Movie details

U.S. Marshals

“The cop who won't stop is back. But this time he's chasing down a lot more than a fugitive.”

1998 Thriller · Crime · Action 2h 11m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over U.S. Marshals?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stuart Baird

Written by

John Pogue

Tommy Lee Jones

Tommy Lee Jones

Samuel Gerard

Wesley Snipes

Wesley Snipes

Sheridan

Robert Downey Jr.

Robert Downey Jr.

Royce

Joe Pantoliano

Joe Pantoliano

Renfro

Kate Nelligan

Kate Nelligan

Walsh

Daniel Roebuck

Daniel Roebuck

Biggs

Tom Wood

Tom Wood

Newman

Court is in session

Put U.S. Marshals on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.