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Maggie Simpson in "The Longest Daycare"

Maggie Simpson in "The Longest Daycare"

Animation · Family · Comedy · 2012

Maggie must navigate an eventful first day in daycare. At the Ayn Rand School for Tots, Maggie is diagnosed with average intelligence. Barred from the gifted children, she longs to escape from her glue-guzzling classmates. But when a lonely caterpillar befriends her, she makes it her mission to save it from a ruthless butterfly smashing toddler.

Movie details

Maggie Simpson in "The Longest Daycare"

2012 Animation · Family · Comedy 5m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Maggie must navigate an eventful first day in daycare. At the Ayn Rand School for Tots, Maggie is diagnosed with average intelligence. Barred from the gifted children, she longs to escape from her glue-guzzling classmates. But when a lonely caterpillar befriends her, she makes it her mission to save it from a ruthless butterfly smashing toddler.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Maggie Simpson in "The Longest Daycare"?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

David Silverman

Written by

David Mirkin · Michael Price · Joel H. Cohen · Matt Groening

Court is in session

Put Maggie Simpson in "The Longest Daycare" on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.